Jan Stanislawski

Polish, 1860-1907 Polish painter and printmaker. He came from a Polish family that had settled in the Ukraine after having been deported to Russia as punishment for the patriotic activities of the artist's father Antoni Stanislawski, a lawyer, poet and translator. In 1879 Jan Stanislawski came to Warsaw and, after completing his higher studies in mathematics, started to study painting (probably in 1881) under Wojciech Gerson at the Warsaw School of Drawing, continuing in 1883-4 under Wladyslaw Luszczkiewicz (1828-1900) at the School of Fine Arts in Krakew. Under Gerson's influence Stanislawski chose landscape as his main and almost only subject. The principal characteristic of his paintings was their small size, rarely greater than 360*240 mm.


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Jan Stanislawski Field (nn02) oil


Field (nn02)
Painting ID::  23239
Field (nn02)
c 1903 Oil on canvas,7 7/8 x 101/4''National Museum,Warsaw
c_1903 Oil_on_canvas,7_7/8_x_101/4''National_Museum,Warsaw
   
   
     

Jan Stanislawski Poplars Beside the River oil


Poplars Beside the River
Painting ID::  54378
Poplars Beside the River
mk235 1900 Oil on canvas
mk235 1900 Oil_on_canvas
   
   
     

Jan Stanislawski Santa Maria della Salute. oil


Santa Maria della Salute.
Painting ID::  89408
Santa Maria della Salute.
1904(1904) Medium oil on cardboard Dimensions 16 x 22 cm (6.3 x 8.7 in) cjr
   
   
     

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     Jan Stanislawski
     Polish, 1860-1907 Polish painter and printmaker. He came from a Polish family that had settled in the Ukraine after having been deported to Russia as punishment for the patriotic activities of the artist's father Antoni Stanislawski, a lawyer, poet and translator. In 1879 Jan Stanislawski came to Warsaw and, after completing his higher studies in mathematics, started to study painting (probably in 1881) under Wojciech Gerson at the Warsaw School of Drawing, continuing in 1883-4 under Wladyslaw Luszczkiewicz (1828-1900) at the School of Fine Arts in Krakew. Under Gerson's influence Stanislawski chose landscape as his main and almost only subject. The principal characteristic of his paintings was their small size, rarely greater than 360*240 mm.

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